Nekoliko dana posle prvog zvaničnog
susreta svih timova u Mikser house-u 29. aprila , tim 3, koga čine umetnica (snimateljka,
direktorka fotografije) Bojana Andrić, kustoskinja Kristina Grebenar i ja, saradnica
kustoskinje Anđela Milinković, se našao u jednom foto-studiu u
Zemunu, da se
malo bolje upozna i da započne uobličavanje inicijalnog Bojaninog koncepta.
Bojana
Prvi susret, kao što i dolikuje, je prošao
manje radno a više opušteno. Kristina i ja smo se našle ispred Madlenianuma, i
zajedno otišle do Bojaninog studia „Omnibus”.
Studio
se nalazi u živopisnoj zemunskoj uličici, sa pogledom na kej. Unutra ima million
čuda, gomila nekih kamera, reflektora, presa, mračna komora, instrumenti… pravi
kreativni haos.
Pošto
smo Kristina i ja ispipale sve te zanimljive stvari, i usput zapitkivale Bojanu
čemu ovo ili ono služi, sele smo sve tri da porazgovaramo o dva Bojanina
koncepta koja je imala u vidu za predstojeću izložbu.
Jedan bi se bavio
čuvarkućama u Savamaloj, a drugi bi bio transformisanje kamiona u kameru
opskuru. Obe ideje su nam, svaka na svoj način bile zanimljive, ali je i Bojani,
i Kristini i meni, koncept velike kamere opskure postavljene u Savamaloj bio
daleko intrigantniji i veći izazov.
Pričale smo neko vreme o mogućoj
realizaciji tog koncepta, javila su se neka pitanja o tehničkim aspektima te realizacije,
zabeležile smo neke najvažnije dileme koje se tiču ovog projekta, a na kraju
smo čak i među sobom raspodelile prve obaveze.
Trebalo
je napraviti tačan matematički proračun na osnovu koga bi kamera opskura bila
funkcionalna, i taj deo posla čekao je Bojanu. Kristina i ja smo u sledećih par
dana bile zadužene da napišemo kratak info ovog rada tj. najavu za novinare i da po Bojaninom
javljanju tačnih proračuna, krenemo dalje putem realizacije projekta.
Krenulo
je super zanimljivo i opušteno, a bogami i aktivno!
A
few days after
the first official meeting of all
teams in Mixer house on 29 of April, a team number 3, consisting of artist (director
of photography) Bojana Andric, curator Kristina
Grebenar, and I, associate curator Andjela Milinkovic,
was in a photo-studio in
Zemun, where we got together to meet each other a little bit more and to start shaping the initial Bojana`s concept for the exibition.
The first meeting, as it should be, was more relaxed then hard-working. Kristina and I met each other in front of Madlenianum and together we went to Bojana`s “Omnibus” studio.
The studio is located in a picturesque alley of Zemun, overlooking the quay. The studio was full of wonders, lying around there were a bunch of cameras, lights, presses, one darkroom, instruments ... and so on… a real creative chaos.
Kristina and I kept asking Bojana what this or that thing is used for, and after we satisfied our curiosity, all three of us started to discuss two concepts that Bojana had in mind for the upcoming exhibition.
One of two concepts deals with guard-houses in Savamala and the other concept would be to transform the truck into a camera obscura. Both ideas sounded great to us, but Bojana, Kristina and I, finally decided that the concept of a large camera obscura installed in Savamala was far more intriguing and challenging.
We talked for some time about a possible implementation of this concept, there have been some questions about the technical aspects of the implementation, we have written down some of the most important dilemmas relating to this project, and in the end we even have split some assignments among us.
We had to have an exact mathematical calculation based on which the camera obscura was to be functional, and that part of the job was waiting for Bojana. Kristina and I in the next few days were in charge to write the brief info of this work, that is , a short announcement for the press and to the emergence of Bojana`s accurate calculation, we were about to continue with the process of project realization.
Project started in a super interesting and relaxed way, but also in a very active one!
Zemun, where we got together to meet each other a little bit more and to start shaping the initial Bojana`s concept for the exibition.
The first meeting, as it should be, was more relaxed then hard-working. Kristina and I met each other in front of Madlenianum and together we went to Bojana`s “Omnibus” studio.
The studio is located in a picturesque alley of Zemun, overlooking the quay. The studio was full of wonders, lying around there were a bunch of cameras, lights, presses, one darkroom, instruments ... and so on… a real creative chaos.
Kristina and I kept asking Bojana what this or that thing is used for, and after we satisfied our curiosity, all three of us started to discuss two concepts that Bojana had in mind for the upcoming exhibition.
One of two concepts deals with guard-houses in Savamala and the other concept would be to transform the truck into a camera obscura. Both ideas sounded great to us, but Bojana, Kristina and I, finally decided that the concept of a large camera obscura installed in Savamala was far more intriguing and challenging.
We talked for some time about a possible implementation of this concept, there have been some questions about the technical aspects of the implementation, we have written down some of the most important dilemmas relating to this project, and in the end we even have split some assignments among us.
We had to have an exact mathematical calculation based on which the camera obscura was to be functional, and that part of the job was waiting for Bojana. Kristina and I in the next few days were in charge to write the brief info of this work, that is , a short announcement for the press and to the emergence of Bojana`s accurate calculation, we were about to continue with the process of project realization.
Project started in a super interesting and relaxed way, but also in a very active one!
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